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Tuesday 3 July 2012
Portrait photographer Doncaster
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Nokia 808 PureView review: A photographer's perspective
| Nokia 808 PureView review: A photographer's perspective When I first heard about the Nokia 808 PureView and its seemingly impossible 41-megapixel camera I was, to say the least, somewhat sceptical. In terms of performance it's not at all bad; from the phone's homescreen a press of the shutter button on the side of the case switches on the camera in approximately 1. The contrast detection autofocus system is fast enough in good light, and it has an LED lamp that helps at close range in low light, although at longer ranges it doesn't focus at all well once light gets below late evening levels. In fact, the 808's biggest limitation as a camera is the fact that it's in a mobile phone. Most compact cameras use 1/2. 2in chip measuring 10. 67 x 8. 44 x 5. 58mm, an area of 43. 4mm2. 2in, or in real terms approximately 4. Advanced compacts such as the Canon G12 use a 1/1. 42mm, with a surface area of 15. But then the 808 can also produce full-resolution images of 38 megapixels in 4:3 aspect ratio, or 36MP in 16:9, which is quite a party trick, and we'll be taking a look at these later. Another technological breakthrough that makes this larger sensor design possible is the 808's high quality Carl Zeiss lens, which was specially developed to match the sensor. By using a non-zoom, fixed aperture lens designed specifically to match this sensor, the camera unit on the 808 has the ability to remain relatively small, although it does still make quite a bulge on the back of the phone. The fact that it actually has a shutter button immediately puts it a couple of rungs further up the quality ladder than most mobile phones. The Nokia 808 PureView uses an even larger sensor than that; it's a 1/1. 33mm2. In other words, its sensor has nearly double the surface area of an advanced compact, and over five times the surface area of a typical telephone camera sensor. 00mm, with a surface area of 85. The lack of optical zoom is something of a limitation, but the 808 does offer a "lossless" digital zoom, adjusting the pixel oversampling to compensate for the cropping of the image and retaining much the same quality. In this mode the colour rendition is very good, with bright vibrant hues in good light, and plenty of fine detail, but it's really still not any better than a good 8-10-megapixel compact camera. It also suffers from a perennial problem of phone cameras. The level of detail at the full-resolution 38-megapixel setting (or 32 megapixels in 16:9 format) is undeniably impressive, showing up tiny details in the scene amazingly well. However that's not really the way the camera is intended to be used. Unless you remember to carry a lens cloth with you and clean it before every use you'll frequently find that a slight haze of reflected glare drastically reduces the quality of your pictures. It seems to have only centre-weighted metering, and even minor backlighting such as the sky will cause the foreground to be very under-exposed. 4, but it does have an optional neutral-density filter. It's awkward to hold it without accidentally touching the screen, which as I mentioned will move the focus point, and despite its relatively compact size it's difficult to shoot one-handed. Even the cheapest budget compact has better handling. 3in sensors, which typically measure 6. The problem of course is that it's a trade-off, and below a certain light level, with photocells that small it really doesn't matter how much you "oversample" them, they're still not very good at collecting light. Most compact cameras also have a better list of features. One area where the sensor does score fairly well is in dynamic range. In full resolution mode however the dynamic range is, not surprisingly, extremely poor. |
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Family portrait photographer in Aberdeen
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Kodak Gallery Moves to Shutterfly Today
| Kodak Gallery Moves to Shutterfly Today
Kodak's online photo gallery will go dark today at noon Pacific as part of a deal with Shutterfly. Once Kodak Gallery customers activate their new Shutterfly account, the site's range of services will become available for free, including unlimited photos storage. Kodak Gallery's more than 75 million users will be able to sidle over to Shutterfly to find their photo collections. "We appreciate the loyalty of the Kodak Gallery customers in the U. But projects - like video slideshows or photo books - would not be moved. The transfer includes all photos in U. "We know how much they value their photos, so we will ensure that a transition is smooth and easy for them, and that their images will be preserved and protected. and Canada who have entrusted us with their photos memories," Jotwani said. Kodak announced in March that it would sell its online photo services to Shutterfly for $23. "I am thrilled to welcome millions of Kodak Gallery customers to the Shutterfly family," president and CEO of Shutterfly Jeffrey Housenbold said in a May statement. "You must complete and purchase all projects by noon, PST on July 2, 2012," Kodak said on its website. Pradeep Jotwani, president of Kodak's Consumer Businesses and chief marketing officer, said in a March press release that the sale is part of Kodak's focus on profiting from technology and brand strengths. and Canadian Gallery users' accounts. To thank users for their support, Kodak is offering a 25 percent discount on all items today only. |
Photographers slam police over 'indecent' photos
| Photographers slam police over 'indecent' photos
Multi-award winning photographer Don Morley says two off-duty police officers adopted 'bully-boy' tactics when they stopped him, and a friend, in Guildford city centre, Surrey, on 27 June. Morley, a retired press photographer, said the pair had been capturing general street scenes that included a shot of two musicians and a picture of a boy taken through the window of a shop. More uniformed officers emerged at the top of the high street - making a total of six. Morley said the ordeal lasted for 1/2 an hour and took place in full view of shoppers: 'This is the first time I have been stopped by police since I started my career in 1957. The photographers gave police their names, when asked, but declined to provide their addresses. The photographers, who were not arrested, were only allowed to leave the area once police had reviewed their shots and satisfied themselves that none of the images were indecent. The pair say they were initially questioned for up to 20 minutes, during which time one of the officers located the family of the boy and appeared to talk to them about making a complaint. 'I was very disturbed by all this,' added Lockley. 'You would have thought we had robbed a bank or something. I don't want any of that on my computer. 'They more or less apologised but said they had been obliged to investigate. 'The uniformed police. Lockley, a former managing director of a building materials firm, told AP: 'We said we were in a public place - we didn't need permission. The incident, which took place close to Guildford High Street at lunchtime, was witnessed by a passing lawyer who berated the off-duty officers. 'He told them, in far better legalese, that they were not only completely out of order, but that it was also this type of bully-boy behaviour that was giving the police a bad name, and turning us into a police state,' Morley told AP. Surrey Police had yet to respond to a request for comment at the time of writing. However, a police source expressed surprise, telling AP: 'We have very strict guidelines from ACPO [Association of Chief Police Officers]. I was just appalled with the whole day. Moments later, uniformed officers arrived in two squad cars. 'They demanded we delete what we had taken because there was a toddler, part-shown, in one picture (see above). 'We looked at each other and said "this has buggered the day". Morley said he is thinking about lodgingan official complaint against Surrey Police. Morley described the manner of the uniformed police as 'professional and courteous' as the photographers showed the officers their digital pictures. The pair were permitted to walk away from the scene, but the officers had called for police back up. |
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